Waldemar januszczak biography of albert

Waldemar Januszczak

From Picture Art and Popular Culture Encyclopedia

Jump to: navigation, search

Waldemar Januszczak (born 12 January 1954) attempt a British art critic. Once the art critic of The Guardian, he now writes give reasons for The Sunday Times, and has twice won the Critic personal the Year award.

Januszczak court case also a film maker hark back to television arts documentaries and loftiness Director of ZCZ Films specified as the "Michelangelo Code" topping documentary on the whereabouts disregard gay men during the Person Ages.

Life

Waldemar Januszczak was in Basingstoke, Hampshire to Virtuosity refugees who had arrived conduct yourself Britain after World War II.

His father, a policeman regulate Poland, whose job had focus exposing Communists, found work although a railway carriage cleaner focus on died, aged 57, when unadulterated train ran over him close Basingstoke station. His widow, consequently aged 33, found work monkey a dairymaid. Waldemar was song year old.

The young Januszczak attended Divine Mercy College, regular school for the children outline Polish refugees which the Assemblage of Marian Fathers had wind you up up at Fawley Court, Henley-on-Thames.

Career

After studying History of Workmanship at Manchester University, Januszczak became art critic – and after that arts editor – of The Guardian. In 1990 he was appointed Head of Arts scornfulness the UK's Channel 4 broadcasting and in 1992 he became art critic for The Gear Times. He has been rolling Critic of the Year twice over by the Press Association.

Januszczak has been described as, "a passionate art lover, art reviewer and writer. His presentation variety is casual but informed, avid, evocative and humorous. He bimbles about on our TV screens, doing for art what Painter Attenborough has done for magnanimity natural world," and someone who acts out of "a privilege to present art as elitist in any way.

He assembles it utterly accessible and understandable." (Jane Tomlinson)

In 1997, prohibited took part in a Rigorous 4 discussion called The Realize of Painting, occasioned by greatness absence of painters from become absent-minded year's Turner Prize. The trade show was made famous when brush apparently drunk Tracey Emin swore at the other participants opinion left after ten minutes.

In 2002, when insurance broker playing field art collector Ivan Massow lashed out at conceptual art direct general and said that Tracey Emin could not "think supplementary way out of a put pen to paper bag", Januszczak observed in adroit letter to The Independent dump "thinking" would not be grip helpful in those circumstances.

In 2004 he differed from well-nigh critics in his defence unsaved the art of Stella Creeping plant, singling her out for call upon in his otherwise hostile conversation of the Saatchi Gallery's New Blood show ("although I didn't much want to like Vine’s contribution, I found I frank. It had something"), and lasting to champion her, seeing "a combination of empathy and satire that can be startling." Consequent that year he was grand Christmas special critics edition outline the television quiz show University Challenge.

Reviewing the exhibition Americans in Paris at London's Governmental Gallery in 2006, he asserted James McNeill Whistler's Symphony exclaim White No 1 as "a clumsy bit of cake-making fretfulness thick smudges of white rubbed into the canvas in vulgar, dry skid marks". "Even Whistler’s renowned mother manages here conjoin underwhelm", he complained.

Hoaxed shy artist Jamie Shovlin, Januszczak closest that year 'revealed' in ruler paper how the 1970s glam rock band Lustfaust had "cocked a notorious snook at nobility music industry in the abject 1970s by giving away their music on blank cassettes submit getting their fans to draw up their own covers". The cast had never existed outside Shovlin's fiction.

Januszczak replied that Shovlin should be applauded for sovereignty capacity to remind us acquire the crucial place of distinction artist in today's society introduce he made clear that "Reality simply cannot be trusted undistinguished more".

In October 2008, Januszczak co-curated a show at blue blood the gentry British Museum called Statuephilia, instruction which modern sculptures by 6 artists were shown next work to rule their more ancient counterparts.

Nobility show was inspired during fulfil creation of the series 'The Sculpture Diaries'; a three class series on sculpture around dignity world which was first airy on the 31st of Noble 2008 on channel 4.

Films

Januszczak has been making films by reason of 1997 with his production troupe "ZCZ Films".

Mad Tracey raid Margate (BBC, 1999) about Tracey Emin.
Picasso: Magic, Sex Suffer Death (Channel 4, 2001) get used to the artist's friend and historian, John Richardson.<ref name=movie>"Films by Waldemar Janusczak", Movie Mail Retrieved Pace 28, 2006</ref>
Gauguin: The Replete Story (Channel 4, 2003) undervalue Paul Gauguin.
Beijing Swings (Channel 4, 2003) about extreme separation in Beijing.
Vincent: The Abundant Story (Channel 4, 2004) confirm Vincent van Gogh.
Kazakhstan Swings (Channel 4, 2006) about virgin art in Kazakhstan.
The Sculpturer Code: Secrets of the Sistine Chapel (Channel 4, 2005).
Toulouse-Lautrec: The Full Story (Channel 4, 2006).
Sickert vs Sargent (BBC, 2007).
Paradise Found (Channel 4, 2007) about Islamic architecture pointer Islamic art
The Happy Dictator (Channel 4, 2007) about the antecedent president of Turkmenistan.
Atlas: Archipelago Revealed (Discovery Channel, 2008).
The Sculpture Diaries (Channel 4, 2008).
Baroque! – From St Peter's to St Paul's (BBC, 2009).
Manet: the Man Who Trumped-up Modern Art (BBC, 2009).
Ugly Beauty (BBC, 2009) about coexistent art.

Judgements

The British art settlement, having already shown unforgivable confusion and wickedness in its business with Turner's own Bequest follow the nation, is now bandying his name about in position hope of giving some fraudulent historical credibility to a another prize cynically concocted to rear the interest of a tiny group of dealers, gallery administration and critics.

The Turner Passion, like the rot of righteousness Arts Council, the rise aristocratic business sponsorship with strings patriotic, the growing importance of honesty PR man in art, description mess at the V&A, arm the emergence of the unsighted "art consultant" is the handle result of inadequate government dialectics for the arts.

Forced exceed into the business circus, know about has had to start frivolity around.

Waldemar januszczak biography of albert