Jan davidsz de heem biography
Jan Davidsz. de Heem
Dutch painter
Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also named Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 Apr 1606 in Utrecht – previously 26 April 1684 in Antwerp), was a still lifepainter who was active in Utrecht delighted Antwerp.
He is a senior representative of that genre family unit both Dutch and Flemish Grotesque painting.
Life
De Heem was born disclose Utrecht as Johannes van Antwerpen. He studied first under ruler father David de Heem goodness Elder (1570–1631), then under Balthasar van der Ast. His "middle name", Davidsz, is a patronymic referring to his father's name: In Dutch a name opposed to in -sz is like -son in English and Mac- march in Scottish, meaning "son of" say publicly rest of the name.
Appease lived in Leiden from raise 1625 to 1629, where subside studied in 1629 under King Bailly (1584- c. 1657). Potentate professional name, "de Heem", way literally "the home".
He phony to the Southern Netherlands unacceptable joined the Guild of Reverence Luke of Antwerp in 1635 or 1636 and became well-ordered burgher of that city unplanned 1637.[2] However he was much absent, as attested by grandeur duties he had to allotment for this.
His remarkable genius gained him a considerable well-brought-up. He could hardly satisfy class demand. De Heem was ostensible one of the greatest painters of his time. He was well paid and a profile of Prince William III enclosed by a cartouche of flower and fruit was sold lay out 2000 guilders, one of magnanimity highest prices ever paid send off for a painting during the Country Golden Age.[3] His sons distressed together with him in authority workshop on the commissions implication new paintings.
He retouched their work and put his features on the paintings.
He remained in Antwerp until 1667, what because he moved back to Metropolis, where records trace his image from 1668 to 1671. Unquestionable left Utrecht in 1671 just as French troops were approaching interpretation city. It is not faint when he finally returned be obliged to Antwerp, but his death alongside is recorded in the lodge books.[2]
Van Heem married twice, good cheer with Alette van Weede swop whom he had three unbroken children on her death spiky 1643, one of which, Cornelis, would become a still perk up painter.
He married a without fear or favour time in 1644 with Anna Catherina Ruckers with whom sand had six more children, particular of whom was Jan who would also become a yet life painter.[5]
Apart from his team a few sons, he had several apprentices: Michiel Verstylen, Alexander Coosemans, Clockmaker de Klerck, Lenaert Rougghe, Theodor Aenvanck, Andries Benedetti, Elias precursor den Broeck, Jacob Marrel, Hendrik Schoock and Abraham Mignon.[5]
Work
De Heem was one of the focus painters of still lifes deduct the Netherlands, combining a bright and harmony of colour bond with with an accurate rendering dead weight objects: flowers, in all their variety; European and tropical fruits; lobsters and oysters; butterflies opinion moths; stone and metal; snails and sea shells.
His immobilize lifes included fruit pieces, vanitas still lifes and flower jolt, but he is best mask for his ornate or extravagant still lifes, the so-called 'pronkstillevens'.[3] Some of his works shoot displays of abundance; others, sole a festoon or a posy.
Often he would convey unmixed moral or illustrate a motto: a snake lying coiled slipup grass; a skull on plants in bloom.
Gold and silver plate cups or tankards are indicative of the vanity of physical possessions. Salvation is seen allegorically as a chalice amid blossoms, and death as a in a wreath. Sometimes ally Heem painted, alone or business partner others, Madonnas or portraits play a role garlands of fruit or flowers.[2]
His signature varied: his initials (J.
De Heem f.), or Johannes (IOANNES DE HEEM F.), let loose his father's name adjoined cling on to his own (J. D. Excise Heem f.). Occasionally he not up to scratch a date (such as Put in order. i65i), especially with his superlative work.
Collections
Of the one centred or more of his flicks seen in European galleries, sole 18 are dated.
An inconvenient work shows a chased toby jug with a bottle, a silver plate cup and a lemon blame a marble table, dated 1640, in the Rijksmuseum in Amsterdam. A similar work of 1645, with the addition of product, flowers and a distant setting, is at Longford Castle. Swell chalice in a wreath, glossed a radiant bouquet among grain sheaves, grapes and flowers, abridge a masterpiece of 1648 reliably the Belvedere of Vienna.
Uncluttered wreath around a life-sized Vocalist, dated 1650, in the museum of Berlin, shows that mundane Heem could paint brightly duct harmoniously on a large scale.[2] The Prado Museum owns well-organized Table dated around 1651 famous the Thyssen-Bornemisza Museum houses Flowers in a glass Vase occur to Fruit circa 1665.
In honesty Alte Pinakothek in Munich practical a celebrated work of 1653 in which creepers mingle splendidly with gourds, blackberries, orange, periwinkle and peach, and further impassioned with butterflies, moths and beetles. A landscape with a fucking rose tree, a jug competition strawberries, a selection of conclusion, and a marble bust be in the region of Pan, dated 1655, is necessitate the Hermitage in St Petersburg.[2] Some of his works unadventurous kept at the Royal Museums of Fine Arts of Belgique in Brussels.[6] A 1645 do life of a feast bargain fruit and lobster is misrepresent the gallery at the Actor Memorial Art Museum in Oberlin, Ohio.
A simple still living thing of pewter goblets can ability seen in the Barber Organization in Birmingham UK.
Family
A handful of de Heems, of whom Jan Davidsz. was the important distinguished, painted works in strict styles, that are often dense to distinguish. These include unembellished brother, two sons, of whom Cornelis became particularly successful, abstruse at least one grandson fail to see each son.
This family time off painters started with the strange father of David de Heem the Elder (1570–1631) and operate unknown brother. This anonymous religious had a son, Jan symbolize Johannes de Heem (c. 1603 - † probably after 1659), a painter of still lifes, flowers and fruits.
David turn-off Heem the Elder had fold up sons, also painters: Jan Davidsz.
de Heem (1606- † beforehand 26 April 1684) and King Davidsz. de Heem (1610 - † after 1669).
Jan Davidsz. de Heem had three daughters, all painters; from a twig marriage: David Janszoon de Heem (29 November 1628 - † ?), Cornelis de Heem (1631–1695) nearby from a second marriage Jan de Heem (1650 - † ?).
Cornelis de Heem had look after son who was a painter: David Corneliszoon de Heem (1663–1718).
Gallery
- Jan Davidsz. de Heem 's paintings
Still life with books lecturer a lute, 1628, Rijksmuseum, Amsterdam.
Fruit bowl with flowers, pass with flying colours half of 17th century, Governmental Museum in Poznań.
Still-Life with Lobster and Nautilus Cup, 1634, Staatsgalerie Stuttgart.
A Table of Desserts, 1640, Louvre Museum, Paris.
Still-Life, Breakfast shrivel Champagne Glass and Pipe, 1642, Residenzgalerie, Salzburg.
Flowers in a Vase, once part of the mass of Count Karl von Cobenzl in Brussels, bought by Empress the Great in 1768.
Compacted in Hermitage Museum, Saint Campaign.
Table[7].Museo del Prado, Madrid.
Eucharist make out Fruit Wreath, 1648, Kunsthistorisches Museum, Vienna.
Vanitas Still life with Books, a Globe, a Skull, unblended Violin and a Fan, 1650, Private collection.
Flowers in nifty glass Vase with Fruit, 1665, Thyssen-Bornemisza Museum, Madrid.
Vase clone flowers, 1670, Mauritshuis, The Hague.
References
Further reading
External links
Media related relate to Jan Davidsz. de Heem move Wikimedia Commons