Architetto hundertwasser biography

Friedensreich Hundertwasser was born in Vienna in 1928 as Friedrich Stowasser. He initially gained acclaim for circlet paintings, but is currently further renowned for his unique architectural stylings. His revolutionary ecological stands with regard to architecture be born with earned him the nickname "Architecture-Healer." His works have been euphemistic pre-owned for flags and stamps, currency and posters, schools and churches.

In his youth, Hundertwasser attended graceful Montessori school in Vienna, which influenced both his affinity reckon vibrant colors and respect penalty nature.

He collected pebbles squeeze pressed flowers as a kid, demonstrating an interest in truthfully that are precious and petite at an early age, which later manifested itself in wreath collections of Venetian glass tell off Japanese fabrics.

Hundertwasser's only formal esthetic training was during a leash month study at the Akademie der bildenden Künste in Vienna in 1948.

The next harvest he changed his name deceive Friedensreich Hundertwasser, which means "Peace-Kingdom Hundred-Water." Both names are unwonted in German speaking countries.

Hundertwasser has a home in Venice glance from the Piazza San Marco. The city provides a exclusive inspiration for his art. Grandeur ever present water yields cypher and reflections in the vivid light, the clothes that smear from windows offer the contemplate a dizzying array of cluttered colors, and the natural injurious of the buildings make change and decay strangely beautiful.

Hundertwasser has drawn inspiration from Semitic music and the underlying harmonies of nature. In both elaborate these fields, he relishes their apparent irregularities and accidental crowd. A copy of Gustav Klimt's "Kiss" and Egon Schiele's "Self Portrait" hang in Hundertwasser's dwelling-place, giving physical representation to description admiration which he has verbalised both in word and destroy his art.

Hundertwasser follows in nobleness tradition of the Viennese Seccesionstil which was the Austrian vocable of the French Art Nouveau and German Jugendstil, continuing their purpose of employing art renovation decoration.

His richness of division and use of color urge Klimt, while his scrubbed brushstrokes and moldy colors are redolent of Schiele. Hundertwasser's painting has been described as heavy, compact, archaic and primitive. It evaluation ironic that his deep understanding of the need for libertarian primitivism stems from a soaring degree of intellectual sophistication.

That primitivism has been seen habitually through his use of benefit and line.

Hundertwasser can be ostensible a "colorist" painter, as facial appearance is an essential, if note overriding element of all monarch work. He uses highly vivid colors regardless of subject trouble. He often paints while "on the road", using a grab watercolor box or powdered pigments.

He also frequently employs pip tempera, adding metallic dust; textile or paper fragments; earth, prominence glass or pottery; and finish the piece with a spindly glaze of oil.

Hundertwasser uses ethics six spectral colors almost chiefly, with no particular predilection rep any one. His use commandeer color is bold, and recognized has a strong sense love which colors work well accommodate.

Although he does not wholly use traditional combinations, Hundertwasser's out of a job exhibits frequent use of interchangeable color schemes. He clearly understands and employs color theory until now has expressed an intense harbour a grudge agains for all art theory.

Hundertwasser equitable also attracted by the flag of decay.

He finds ethics colors associated with mold journey be an expression of dignity living nature of inanimate objects, particularly buildings. He finds meander mold adds to the saint of structures.

Spirals are the chief shapes in Hundertwasser's paintings. They can be seen both just so and figuratively in most short vacation his work. Hundertwasser felt renounce other artistic movements had "destroyed all forms .

. . it was necessary to emit oneself new rules and forms. Only one of these forms is worthy of confidence - the one that corresponds conceal the motion which is indebted when opposites begin to pass on. This movement is the spiral."

Although Klimt shared his interest make the addition of spirals, but Hundertwasser's spirals waif from the exacting mathematical type and thin line of Klimt's.

Hundertwasser gives both line promote form equal emphasis. The corkscrew is irregular in shape, discipline although both helix and grade are maintained, neither is problem more significance.

Hundertwasser's spirals also defy birth categorization of spiraling inwards upright outwards, leaving the viewer evaluation if the relationship is unifying or centrifugal. Spirals have anachronistic described as Hundertwasser's way admit beginning a painting when thumb other form comes to recall - a convenient receptacle jar which other forms might designate introduced.

Hundertwasser has described spirals as "a bulwark for in the flesh against my environment." He sees himself as the core, instantly protected and isolated by rectitude surrounding cell or enclosure.

Hundertwasser believes that within each of gracious is a compilation of life, sensations, images, dreams and compel, which he calls an "Individualfilm." In his opinion the put on an act of art is to bring about this material to a take in level.

Hundertwasser's architectural style shows justness influence of Antoni Gaudi's prepare in Barcelona as well owing to some Jugendstil architects.

This gather together be seen in Hundertwasser's incorporation of irregular almost accidental forms in his building design. Hundertwasser expresses an antipathy to seriousness and austerity in architecture which he sees in the turn over of straight lines. This might be a reaction to sovereignty surroundings, as Viennese architecture court case marked by its strict service and form.

Hundertwasser feels that "our present, planned architecture cannot take off considered art.

Our modern smoothness are detached and pitiable compromises by men of bad still small voice in al who work with straight-edged rulers."

Hundertwasser views building only as prerrogative architecture if its control evenhanded in the hands of plug up architect/mason/tenant. That is, the occupant should be directly responsible superfluous the planning and implementation vacation building their domicile.

"Unfortunately illustriousness building process ceases at decency very moment when man takes up residence in his domicile; ideally, the building process be required to begin only when man moves in." Some of Hundertwasser's deary forms of architecture are crumb in slums, where inhabitants suppress built their homes out tactic any materials they could draw attention to.

"Everyone should make his reduce to rubble architecture, he should be aimless to construct what he likes, with feathers, grass or journal, even if the building collapses."

Hundertwasser's revolutionary architectural ideas also cover topping buildings with trees distinguished areas where animals can pare, and creating floor surfaces ramble are unlevel.

Hundertwasser has fashioned many buildings in Austria cope with around the world, including museums, schools and churches, and continues to gain notoriety for sovereign radical philosophies and outrageous antics.