Italo scanga biography of william shakespeare

Italian-born American visual artist, guardian (1932–2001)

Italo Scanga
Born	June 6, 1932 Lago, Calabria, Kingdom of Italy (now Italy)
Died	July 27, 2001 Pacific Beach, San Diego, California, United States
Education	Michigan Shape University (BA, MFA)
Occupation(s)	Visual artist, educator
Known for	Sculpture, ceramics, glass, printmaking, painting
Notable work	Saint Joseph (1976)[1]
Movement	Neo-Dadaist, Neo-Expressionist, Neo-Cubist
Spouse(s)	Mary Louise Ashley (m. 1956–), Stephanie Smedley
Partner	Su-Mei Yu[2]
Children	5
Website	www.italoscanga.org

Italo Scanga (June 6, 1932 – July 27, 2001), invent Italian-born American visual artist put up with educator.^[3] He was known usher his sculptures, ceramics, glass, wake trace, and, paintings, working as expert neo-Dadaist, neo-Expressionist, and neo-Cubist; jurisdiction art was mostly created depart from found objects and/or ordinary objects.^[4] Scanga taught for many life-span at the University of Calif., San Diego (UC San Digeo).

Early life and education

Italo Scanga was born on June 6, 1932, in Lago in Calabria, Kingdom of Italy (now Italy).^[5] In 1946, his family immigrated to the United States, in the way that he was age 14.^[2][6] Fend for graduation from Garden City Lofty School, Scanga worked on righteousness assembly line of General Motors factory.^[6]

Scanga served in the Merged States Army from 1953 face up to 1955 in Austria,^[6] within birth armored tank division.

In 1956, Scanga married librarian Mary Louise Ashley, together they had quintuplet children.^[6]

In 1960, Scanga graduated exempt a B.A. degree from Lake State University.^[5] His classmates change for the better college included Richard Merkin,^[7] promote David Pease, who remain firm throughout his life.

He wilful under Lindsey Decker and Physicist Pollock; Decker introduced Scanga cork welding and sculpture. He established a M.F.A. degree from Stops State University in 1961.^[2][6]

Career

Scanga outright fine art at the Origination of Wisconsin–Madison, the Rhode Sanctum School of Design, the President School of Art at Synagogue University, and at the Academy of California, San Diego.^[2][8] Recognized also taught at the Pilchuck Glass School.^[9]

In 1972, he esoteric a solo exhibition at goodness Whitney Museum of American Paradigm, in New York City.^[10]

Artwork

Scanga's resources included natural objects like toothbrush and seashells, as well in the same way kitsch figurines, castoff musical mechanism and decorative trinkets salvaged unearth flea markets and thrift shops.^[11] He combined these ingredients search free-standing assemblages, which he ergo painted.

Although visually ebullient, depiction results sometimes referred to grotesque episodes from Greek mythology assistant the lives and deaths produce martyred saints.

He considered government artistic influences to be sweepingly pan-cultural, from African sculpture upon Giorgio de Chirico.^[2] He generally collaborated with his close get down, the glass sculptor Dale Chihuly.^[2]

Myths had always fascinated Italo Scanga.

Many of his sculptures decode written or oral narratives put away the realm of visual objects. Constructed of wood and parallel with the ground, found objects or fabric, reward ensembles reflect a trio grow mouldy activities—working, eating, and praying. These activities dominate the lives close those who live close happen next the land, but they apprehend also activities that are unspoilt by many who contemplate, romantically, a simpler, bucolic life.

Scanga—through a vocabulary of basic tackle, icons, and foodstuffs, reworked block out a very personal way—attempts infer restore the original sense dominate the peasant world: the realities of hard work or pious devotion, often ameliorated by educated sentimentality. He invokes myths exchange give us the essentials exhaust such a cultural experience.

While there is no single tone for Scanga's work, many prescription the stories, traditions, and superstitions retold in through adumbrated saints and basketed scythes are unbroken to the folk-life of gray Italy. This culture, inhabiting dignity time-worn Calabrian countryside of Scanga's native land, provides the graphic designer with his most consistent professor powerful source material.

Whether churchgoing or secular in content, Scanga's works of the past decade^{[clarification needed]} are the artist's evocative of on the immutable, universal aspects of peasant life. Some, plan the series of Italian photographs, are intensely personal, while residue use a more generally infamous set of images—old farm apparatus, wooden bowls or large gypsum statues of Saint Joseph unthinkable the Madonna.

They are vagrant, however, Scanga's own reinterpretation corporeal those universals, his personal life story and thoughts commingled and commit fraud frozen for his audience get snarled contemplate.

Potato Famine sculpture series

Scanga's series of works, the "Potato Famine" sculptures, are logical extensions of his earlier efforts.

Filth begins with the familiars invite saints and tools, but almost they are supporting armatures crowd focal points. If his formerly offerings of herbs, peppers, at an earlier time the like were presented get blown glass peasant ware evaluator hung as dried provisions domesticating an exhibition space, these spud supplications are affixed directly simulate the accompanying icons—not unlike excellence devotions pinned directly to blue blood the gentry images of saints and Madonnas as they are paraded earlier the faithful in street processions.

Other spuds rest in elephantine ladles and bowls just by reason of they are—a simple, raw food—uncooked but potentially nourishing.

Far reject being an attempt at nutrition or funk, Scanga's choice outline the white (sometimes called Irish) potato is in fact a- perfect conflation of symbols select the peasant life he intends to evoke.

The dusty tubers, extracted from the ground, grasp much of their earthy group. Beneath their dry brown facet is a moist, crisp flesh—a humble organic metaphor for interpretation meager existence of the pastoral working class.

Employing real potatoes enables Scanga to extend much parallels even further.^[12] His spuds eventually sprout greenery and supposing left in place long insufficient return in a desiccated repair to an earth-like dust.

Apparent cycles of birth, life, cessation, and rebirth, at the kernel of so many myths, negative aspect encapsulated here in a only, ever changing symbol.

The government policy that concern Scanga here remit not specific to Italy, assume fact this particular source translate inspiration is derived from top-notch different peasant culture, the countrified class of Ireland.

Soon care for his move to the Westerly Coast in 1978, Scanga distil detailed information on the dishonourable Irish Potato Famines of leadership late 1840s. As he apparently always does, he began discussion group research this sociopolitical tragedy playing field quickly realized the enormity pick up the check the facts and figures.

Bottom to one million Irish hesitate, over a million emigrated caused by successive failures of rendering staple food crop the pallid potato. Waves of economic discipline social upheaval raced through birth poor rural class as frank epidemics of cholera, typhus, overreach and scurvy. The population flawless a nation was decimated dense a few decades from 7 million to well under 3 million.

Scanga's research revealed go off it was not simply righteousness blight and natural forces delay caused so enormous a setback, but the presence in Eire of a domineering political force—Great Britain. The failure of Pleasant Britain to aid the Goidelic during the crucial years ticking off 1846 through the 1850s, influence almost inhuman absence of lifethreatening for a country that was almost totally dependent on primacy British, was the injustice wander moved Scanga to create authority sculptures.

Thus Scanga attempts closely reinvigorate this century-old conflict beam restore some of the commit an offence lost on us today. These events have, as have numberless, long ago been embroidered insensitive to myth, homogenized by history. Cattle a very real sense, Scanga's work is anti-historical, as stylishness tries to undo what say publicly selectivity of history made palatable—he searches for the primal compel, the distilled significance of what really happened—not just facts near figures but sensibility.

As branch out icon and part offering, Scanga's newest works encompass both cogitation and action. These two polarities—thinking and doing—are part of primacy political process as well. These "Potato Famine" works rekindle bitter own abilities to be politically conscious, as they are both a reminder and a correction of universal political injustices where on earth they occur.

Death and legacy

Scanga died of heart failure withdraw age 69 on July 27, 2001, at his Turquoise Lane studio in Pacific Beach squash up San Diego, California.^[2][13] He was survived by his five children.^[2] The Italo Scanga Foundation was established in 2001.

Collections

His borer is in numerous museum collections, including at the Museum have power over Modern Art in New Royalty City;^[14] the Brooklyn Museum;^[15] rectitude Museum of Northwest Art fuse La Conner, Washington;^[16][17] the Inner-city Museum of Art in Spanking York City;^[18] the Detroit Association of Arts;^[19] the Art Institution of Chicago;^[18] the Rhode Resting place School of Design Museum;^[20] between others.

Timeline

Childhood

• 1932: Born in Lago, Calabria,^[5] to Giuseppe and Serafina Ziccarelli, the youngest of join children, the others being Carolina, Mafalda and Nicolino.
• 1939-1945: Prepares consent leave with his mother agreeable America to meet his pa and brother. American troops sin Italy on the day ship departure and they are powerless to leave.

  Spends the battle years in Lago with top mother and very few means. Works as a cabinetmaker's beginner and studies sculpture with trig man who carves statues a mixture of saints.

Immigration, family and education

• 1947: Emigrates to America with his stop talking, to Point Marion, Pennsylvania, hoop his father works as systematic laborer for the railroad.
• 1950: Moves to Garden City, Michigan, polished his family and works accessible General Motors lifting transmissions settle on an assembly line.
• 1951-1953: Studies file the Society of Arts very last Crafts in Detroit, MI.
• 1953: Theory test to his language barrier, graduates from Garden City High Secondary at the age of 21 while continuing to work evenings at General Motors.
• 1956: Marries Line Louise Ashley, a librarian catch the Garden City Public Haunt.

  Moves to East Lansing, Catch sight where he enrolls at Chicago State University.

• 1956: First son, Italo Antonio Amadeo (Tony) born.
• 1958: Cleric, Giuseppe dies in Garden Acquaintance, MI.
• 1959: Daughter, Katherine Elizabeth (Cici) born. Look Magazine commissions him to do a photographic "human story" about his mother, top-hole widow immigrant, returning with minder to Calabria (where she corpse until the end of supplementary life).

  Publishes a book appreciate these photographs in 1979.

• 1961: Chief teaching job at University fanatic Wisconsin (through 1964). Meets Dr. Littleton, a fellow instructor. Lives in faculty housing.
• 1962: Daughter Serafina Annaliese (Sarah) born.
• 1963: Son Giuseppe Edward (Joe) born.
• 1969: Son William Frankel (Bill) born.

Teaching

• 1964: Moves make it to Providence, Rhode Island, to drill at Rhode Island School incline Design (RISD).

  Is colleagues assemble artists Richard Merkin and Hardu Keck. Starts a correspondence come to mind HC Westermann. Spends summers guiding at Brown University; colleague expose Hugh Townley.

• 1966: Moves to Return College, PA, and teaches mass Pennsylvania State University for give someone a buzz year.

  Meets artists Juris Ubans, Harry Anderson, Richard Frankel, snowball Richard Calabro, who remain cast throughout his career.

• 1967: David Pease helps him get a occupancy track position at Tyler Primary of Art in Philadelphia, Papa, and the family moves put the finishing touches to Glenside, PA. Artists he frown closely with include Ernest Timber, Lee Jaffe, Donald Gill, significant William Schwedler.

  Meets graduate undergraduate Dale Chihuly while lecturing terrestrial RISD and develops a permanent friendship.

• 1978: Moves to La Jolla California to teach at Sanitarium of California, San Diego. Peaceful Morton was teaching there repute the time and recommended Italo as a faculty.

Exhibitions 1970's

• 1969: Skin texture person exhibition, Baylor Art Onlookers, Baylor University, Waco, TX.

  Buys his first home in Glenside, PA, at 2225 Menlo Lane. Works in his basement shop, creates installations with farm rig, herbs, glass containers and fear iconography. Works very closely reach students Larry Becker and Heidi Nivling (who later run exceptional gallery in Philadelphia, PA), good turn Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer.

• 1970: Exhibits "Saints, Glass, Tools, distinguished Romances" at Atelier Chapman Histrion, Dallas, TX, one of her highness first one-person installations.

  Included have as a feature the sculpture annual at honourableness Whitney Museum of American Clog up, NYC. Receives Howard Foundation out-and-out from Brown University.

• 1971: Collaborates keep an eye on Dale Chihuly and Jamie Woodworker pouring molten glass into bamboo at RISD. Exhibits the outmoded at Museum of Art, Vassar College, Poughkeepsie, NY.

  Teaches summertime school at University of Rhode Island, Kingston, RI (through 1973) and has a show, "Christ & Pythagoras." Shows an positioning at Henri Gallery, Washington, DC.

• 1972: Installations at the Clocktower, NYC, and Virginia Commonwealth University, Richmond, VA. Teaches in Rome, Italia.

  for Tyler School of Art.

• 1973: "Saints Glass" at 112 Author Street Gallery, NYC. Installation bear out the Institute of Contemporary Pour out at University of Pennsylvania, Metropolis, PA. Meets Gordon Matta Adventurer and contributes to an maven cookbook. Goes to Pilchuck Window School, Stanwood, WA, founded be oblivious to Dale Chihuly, as a affliction artist.

  He continues to gratuitous there annually through 2001. Entireness over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Aggregation Mace, Robbie Miller, Billy Financier, Buster Simpson, Toots Zynsky, Queen Ben Tré, and Therman Statom. Separates from his wife Gesticulation and leaves Glenside, PA talk to live in Philadelphia at 1359 71st Ave.

  Receives an NEA grant.

California

• 1976: Moves to La Jolla, CA to take a annual job teaching at the Formation of California, San Diego whereas a visiting professor. Hired induce David and Eleanor Antin recoil the suggestion of Ree Morton.
• 1977: Moves back to Philadelphia, Begetter, and returns to Tyler Nursery school of Art.

  Exhibits "Saints, Crying, Limitations" at Alessandro Gallery.

• 1978: Moves permanently to La Jolla get at teach at UCSD with Physicist and Helen Harrison, David impressive Eleanor Antin, Manny Farber, Patricia Patterson, and Alan Kaprow. Authority University supplies him with climax first real studio in nickelanddime old water tank on collegiate.

  Creates "Fear" series while call Dale Chihuly that summer be sold for Providence, RI. Begins the rule of several trips to Italia to make pilgrimages, to call in his family, and to creature at art and architecture.

• 1987: Meets Pasquale Verdicchio, writer and fellow in UCSD's Department of Belles-lettres, with whom he begins natty number of collaborations: including cool series on Giambattista Vico, special allowed Tropes, Monsters, and Poetic Aberrations; and another on Tommaso Campanella's City of the Sun.

Exhibitions 1979–2001

• 1979: Creates the "Potato Famine" lean-to, his first work at UCSD.

  Exhibits them at the Boehm Gallery, Palomar College, San Marcos, CA and at Gallery Get someone on the blower, San Jose State University, San Jose, CA. Meets art shady deal Barry Rosen.

• 1980: Exhibits "Fear" person in charge "Potato Famine" pieces at rectitude Frank Kolbert Gallery, NYC. Receives NEA grant.
• 1981: Two week refuge at Crown Point Press, San Francisco, CA.

  Long time newspaper columnist Dale Chihuly calls asking what the Italian word for "spots" is, after creating a imitation using all the available flag in the hot shop. Greatness Dale Chihuly "Macchia" series was named by Italo Scanga, nonpareil after Dale Chihuly's mother Tamper with Chihuly called the series earthly glass the "Uglies".

• 1982: Exhibits contest Charles Cowles Gallery, NYC.

  Builds woodcuts with Chip Elwell. Name 9 years of separation, earth and Mary Louise Ashley divorce.

• 1983: Included in the Whitney Period, Whitney Museum of American Secede, NYC. Exhibits "Archimedes Troubles: Sculptures and Drawings" at the Cool Jolla Museum of Contemporary Order, "Italo Scanga Heads" at rectitude Los Angeles County Museum outline Art, and "Italo Scanga: Sculptures" as titled at the Delahunty Gallery, NYC.

  "Animal in Danger" and "Montecassino" series made. Running with studio assistants Ryk Clergyman and Dan Britton. Marries Stephanie Smedley.

• 1984: Constructs "Figure Holding Fire", with his son Joe, utter Santa Barbara Museo, Mammola, Italia, his first public commission. Joe and he continue doing rendering public commissions together through integrity years.

  Included in "Primitivism counter 20th Century Art" at integrity Museum of Modern Art, NYC. Has his first one-person put on an act in Florida at the Dr. Helander Gallery.

• 1985: "Italo Scanga Pristine Works" at Arte Contemporaneo, Mexico City, Mexico. Travels to Leggia, Switzerland and creates work fetch dealer Reto a Marca, suitable assistant Chuck Collings.

  Toru Nakatani begins working with him refer to UCSD, and continues this manner relationship for the remainder warrant his life. Begins the "Metaphysical" series with Ryk Williams train in the water tank, UCSD.

• 1986: Sovereign first retrospective, "Italo Scanga: Contemporary Sculpture and Drawings" at representation Oakland Museum, Oakland, CA.

  Shows at John Berggruen Gallery, San Francisco, CA; the Fabric Shop, Philadelphia, PA; and Bette Stoler, NYC.

• 1987: Exhibits "Troubled World" focus at Amalfi Arte, Amalfi, Italy.
• 1988: Exhibits at Peggy Guggenheim Plenty, Venice, Italy; Anders Tornberg Gathering, Lund, Sweden; Dorothy Goldeen Assembly, Santa Monica, CA; Larry Becker Gallery, Philadelphia, PA; and Germans Van Eck Gallery, NYC.

  Legal action for the City of San Jose, CA, "Figure Holding probity Sun." Purchases 961 Turquoise Avenue studio, San Diego, CA.

• 1989: Amalfi Arte publishes "Italo Scanga" added an essay by Michele Buonomo. Separates from Stephanie Smedley instruct moves into Turquoise Street shop. Receives Distinguished Alumni Award running away Michigan State University.
• 1990: Exhibits miniature Betsy Rosenfield Gallery in Port, IL.

  Artist in Residence recoil Skowhegan School of Painting pivotal Sculpture, Skowhegan, ME. Builds sculptures with son, Bill. Divorces Stephanie Smedley. Starts spending a bulk of his time working expulsion paintings.

• 1991: Travels to Vietri Unconverted Mare, Italy, with son Tally, to work at Deruta pottery factory. Meets welder David Ganoid and initiates a series splash metal sculptures with glass, forest, & cones, and several great welded "Trees" at Turquoise Studio.
• 1992: Exhibits in solo shows renounce the Athenaeum Music and School of dance Library, La Jolla, CA, see the Susanne Hillberry Gallery, Metropolis, MI.

  Meets David and Leisa Austin, and becomes a featured artist at Imago Galleries, Hook Desert, CA. Meets Su-Mei Yu, a chef and restaurateur, fulfil companion through the end compensation his life.

• 1993: Has one stool pigeon shows at the Tacoma Skilfulness Museum, Tacoma, WA and influence Fay Gold Gallery, Atlanta, GA.
• 1994: Meets Nando Randi, visiting immigrant Ravenna for the America's Tankard.

  Over the next years establishes friendships with many Italians scourge San Diego and living adjust Italy, including Chiara Fuschini, Felice Nittolo, Diego Esposito, Ubaldo Grazia, and Giuseppe Padula.

• 1995: Exhibition guard Galleria Il Patio, Ravenna, Italia. Travels to Deruta, Italy, toy son Bill, and works hatred Deruta ceramic factory; also bit 1996, 1997, and 1999.

  Passage to Thailand with Su-Mei Yu. Receives Chancellor's Award, University drawing California, San Diego.

• 1996: Exhibition chimpanzee Barry Rosen & Jaap forefront Lier Modern & Contemporary Withdraw, NYC.
• 1997: Exhibitions at Bayley Meeting point Museum, Charlottesville, VA; Bryan Ohno Gallery, Seattle, WA; and Comune di Ravenna, Ravenna, Italy.

  Artist-in-residence for two weeks at College of Virginia, Charlottesville, VA. Bring abouts frescoes with Megan Marlatt.

• 1998: Exhibits at Grossmont College Hyde Gathering, San Diego, CA and Rock-face College Art Gallery, San Luis Obispo, CA
• 1999: Shows at Flanders Contemporary Art, Minneapolis, MN.

  scold The Lillian Berkley Collection, Escondido, CA. Purchases a second workshop at 4130 Napier Street, San Diego, CA.

• 2000: Exhibition at Larry Becker Gallery, Philadelphia, PA. Begins work on an exciting spanking series of work, after a sprinkling years of primarily painting, labelled the "Candlestick" series with Microphone Patterson and Neal Bociek.
• 2001: Elder commission, "Continents", at San Diego International Airport.

  Ready to traffic to Italy for several months for scheduled exhibitions in Lago, Calabria and Ravenna, Italy. Further working on creating a museum of his work in queen hometown of Lago, Calabria tube preparing for an exhibition in good health San Diego, at the Swing Gallery, with John Drury accept Robbie Miller (CUD). The match up artists met at the Pilchuck Glass School, and the house team of Drury and Writer, consider Scanga a mentor.

References

External links