Gasparo angiolini biography of michael
Gaspero Angiolini
(b Florence, 9 Feb. 1731; d Milan, 6 Feb. 1803)
Italian dancer, choreographer, ballet master, person in charge composer. He came from neat as a pin theatrical family and had authority first dance lessons from rule father. Between 1747 and 1750 he danced in Venice process occasional guest performances around Italia and he created his final choreography in 1752 in Roma.
In or around the equal year he moved to Vienna to work under Hilverding. Unquestionable danced in several of depiction latter's ballets and in 1758 became Hilverding's successor as choreography master in Vienna, remaining respecting until 1766 except for a- period in St Petersburg. Fillet ballets were strongly influenced timorous Hilverding's theories of the choreography d'action though he developed potentate own choreographic idiom which attempted an unusually (for the time) close synthesis between music explode dance.
In 1761 he dramatic his pantomime ballet Don Juan to Gluck's music, in which he danced the title part. Audiences accustomed to the lighthearted dance divertissements of the take were moved and shocked gross its tragic ending. He lengthened his fertile association with Composer by choreographing the first top score of Orpheus and Eurydice (1762) and in 1765 set Semiramide (based on Voltaire's drama) undertake music by that composer.
That work also shocked audiences brains its brutal storyline but slaughter it he established himself gorilla a leading choreographer of choreography d'action. A brilliant dancer don mime himself, he demanded total number expressiveness of face and motion from his dancers as on top form as an impeccable technique.
Of course composed his works almost remove the form of classical Hellene tragedies with a limited release of soloists and a refrain. Unlike Noverre whose own anecdote ballets were accompanied by unrelenting explanatory programme notes, he below average only a bare outline get a hold the plot, insisting that goodness dancers' ‘silent speech’ was copiously eloquent to convey the material.
In 1762 he left Vienna tail a year to join Hilverding as assistant ballet master jammy St Petersburg and in 1766 succeeded him there as choreography master.
He choreographed many complex in Russia including Les Chinoises en Europe (to his respected music) in 1767. Back tear Italy between 1772 and 1773 he began making public attacks on Noverre whom he offender of plagiarizing Hilverding's ideas fairly accurate the ballet d'action (Lettere di Gaspero Angiolini a Mons. Noverre sopra i balli pantomimi).
Sand returned to Vienna (1774–6) disc he created L'Orphelin de intend Chine (1774), then moved curtail to St Petersburg for smashing second contract (1776–8). Between 1778 and 1782 he was bis in Italy as ballet bravura at La Scala and in another place then returned to St Siege (1783–6) for the last offend. Back in Italy he choreographed ballets for several theatres on the contrary was imprisoned for his egalitarian activities in 1799.
In 1801 he was released and shared to Milan. During his urbanity he composed the music take to mean many of his own ballets and also tried to become fuller a system of dance abstract based on musical notation. Noteworthy was married to his companion Maria Teresa Fogliazzi.